HiFi Rose Updates:
A sleek display, but the software platform is falling apart—a recurring issue for years
Hi everyone,
I just have to vent my frustration here again. Anyone who follows my posts here on the forum knows that I’ve brought this topic up many times before. But what HiFi Rose / Citek has been doing on the software side for years is simply no longer acceptable for devices in this price range.
It’s always the same old story:
A new update comes out, one issue is supposedly fixed, and three other issues blow up in our faces. This can’t and mustn’t go on like this!
Many people are still dazzled by the huge, beautiful touchscreens. But under the hood, things look bleak. The software is completely overloaded and artificially gimmicked up. And that generally applies to the entire product line, no matter which model you have in your rack.
I myself still use the RS520 all-in-one amplifier at home.
But let’s be honest:
The only thing the device is really good for anymore—without having to spend hours fiddling around or dealing with the buggy Rose software—is as a pure Roon endpoint. I use Roon with a lifetime license, and that’s the only way you can still use this thing with any degree of ease, because it lets you bypass the Rose interface altogether. But I don’t need such an expensive all-in-one amplifier just to serve as a pure Roon endpoint!
The fact that they’re now also rushing the little RW800 onto the market just highlights the whole mess and confirms what’s going wrong behind the scenes: On the old, tweaked Android platform of the main devices, modern security updates and interfaces from streaming services like Amazon Music or Tidal Connect apparently can no longer be installed natively or processed properly. Customers are constantly promised “coming soon,” but technically, the old platform is hitting a wall.
That’s why they had to rush the RW800 to market so that people could still get the new streaming certificates at all. So anyone who owns an expensive device like the RS130 streaming transport now has to—absurdly—route the signal from the RW 800 through the digital output to the input to RS 130 just to use the latest protocols. And the irony of it all: The new RW800 doesn’t even have an SFP module (fiber optic) built in—something so many HiFi Rose users absolutely want precisely because of the galvanic isolation! So you end up setting up a total makeshift setup in your rack.
In reality, we HiFi Rose buyers are really just one thing now: Unpaid beta testers!
Quality control in South Korea simply seems nonexistent when it comes to software.
If they can’t get a handle on this over there, they need to finally hire a damn decent, competent
team of IT specialists or hand over software development entirely to external providers who know their craft! You won’t get an honest answer from the company itself anyway.
I know that many in the community are downright afraid to sell their devices right now, because, of course, you won’t get back what you originally paid for them on the used market. Everyone is trying to hold onto their devices somehow and hoping for the next “miracle update”. But if Rose simply won’t learn or isn’t willing to invest in competent IT professionals, nothing will change here.
Even if it sounds harsh and hurts: Maybe you really should start looking for real alternatives in good time—whether as a replacement for your main system or for a stable second system. As you know, I’ve written this many times before: I got the Lyngdorf TDAI-3400 for my main system, and that was the best decision of my hi-fi life. Sonically, it’s a whole new world thanks to RoomPerfect, and the software runs absolutely smoothly. Anyone looking for a good replacement or a robust secondary system should definitely check out other manufacturers—whether it’s a high-end NAD (like the M33 V2) or completely different, stable streaming amplifiers that simply work flawlessly.
How about you guys? Are you also using your Rose devices solely as Roon endpoints to avoid the software headaches? Has anyone tried the RW800 as a “stopgap” for the streaming certificates? Or have you also slowly lost faith in the brand?
